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The hidden cost in your agency's pitch process
Ask an agency owner where their profit goes and they will usually point at delivery, or at a difficult client, or at rising salaries. Rarely do they point at the pitch. Yet the pitch is where a huge amount of a small agency's money quietly disappears, because the hours poured into the ones you lose are hours nobody ever pays for.
I reviewed the pitch process at a small agency once and the numbers were sobering. Forty to seventy slide decks going into eight-thousand-pound projects. Two-hour presentations. Sixteen "standard" pages in every proposal that nobody had looked at in months. Preparation that routinely cost more than the project was worth. None of it felt wasteful in the moment. All of it was.
Why it hides
The pitch feels like investment, not cost, so it escapes scrutiny. You are chasing revenue, so effort feels virtuous. And because the work is spread across the team in bits and pieces, no single person sees the total. Ten people each losing an afternoon does not show up anywhere as a line item, but it is a week of billable time gone.
The other reason it hides is that some of those pitches win, and a win papers over a lot. But the question is not whether you ever win. It is how much you spend, in total, to win what you win. That ratio is where the profit lives or dies.
Where the waste actually sits
In my experience it clusters in a few places. Briefs that are not interrogated, so you pitch against a problem you never really understood. No single owner of a pitch, so effort sprawls and decisions get made by nobody. Preparation with no relationship to the size of the prize, so a small project eats the same effort as a large one. And pricing set without the people who have to deliver, so you win work you then lose money on.
Fix those and the economics change fast. At that agency, restructuring the proposal process cut the time spent on proposals and tenders by half. That is not a marginal gain. It is half of a whole category of unbilled work handed back to the business.
What to do about it
Start by tracking the true cost of your last ten pitches, won and lost, honestly. Most owners have never done this and the total is a shock. Then give every pitch one owner and a preparation budget that matches the prize. Cut the standard pages back to the ones that earn their place. Bring the delivery team into pricing so you stop winning unprofitable work. And build a simple way to sell again to clients you already have, because the cheapest new project is more work from someone who already trusts you.
The point
An agency that is busy and still not making money is almost never short of talent. It is leaking time in the pitch and the process, in ways that do not show up until you go looking. Go looking.
I have done exactly this review for agencies, and the proposal-time saving alone usually pays for the work several times over. If your agency is busy but the profit is not following, that is a conversation worth having.
Not sure where to start?
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